Comparing Symbols and Symbolism in Blue Hotel, Black Cat, Night, Alfred

Color Symbolism in Blue Hotel,  Black Cat, Night,  Alfred Prufrock,  Red Wheelbarrow      Ã‚  Ã‚   Symbolism of colors is evident in much of literature. "The Blue Hotel" by Stephen Crane, "The Black Cat" of Edgar Allan Poe, "Night" by William Blake, "The Love Song of J. Alfred Prufrock" by T. S. Eliot, and "The Red Wheelbarrow" by William Carlos Williams encompass examples of color symbolism from both the prose and the poetry of literature. When drawing from various modes of psychology, interpretations of various colors, with emphasis to dream psychology, an analysis of the colors themselves and then their applications to literature can be readily addressed.    "Colour is one of the areas in daily life in which symbolism is most readily apparent." (Fontana 66) The use of color as a source of symbolism is widespread and amidst the most traditional of sources which still possess symbolic qualities. Psychologically, colors derive such impact through relations to the natural world, such as the blue sky or a red rose. Dreams, being a prominent aspect of one's self, are often a theme in poetry, and therefore the representation of colors within dreams should be addressed. Symbolism of colors is also evident in much of literature. "The Blue Hotel" by Stephen Crane, "The Black Cat" of Edgar Allan Poe, "Night" by William Blake, "The Love Song of J. Alfred Prufrock" by T. S. Eliot, and "The Red Wheelbarrow" by William Carlos Williams encompass examples of color symbolism from both the prose and the poetry of literature. When drawing from various modes of psychology, interpretations of various colors, with emphasis to dream psychology, an analysis of t he colors themselves and then their applications to literature can be readily addressed. ... ...ir innocence and purity.    In the final analysis, color symbolism reveals itself throughout various religions, dream psychology and even speech metaphorics. The incorporation of such symbolism into prose and poetry allows facets for many interpretations and ultimately the universality of literature. Works Cited Ackroyd, Eric. A Dictionary of Dream Symbols. London: Blandford, 1999. Crane, Ronald S., Ed. A Collection of English Poems. New York: Harper and Row, 1932. Fontana, David. The Secret Language of Symbols: A Visual Key to Symbols and Their Meanings. London: Duncan Baird Publishers, 1994. Roberts, Edgar V. and Jacobs, Henry E. Literature: An Introduction to Reading and Writing. Upper Saddlr River: Prentice-Hall, Inc., 1998. Rodriguez, Celia. American Literature. Womack, Martha. The Poe Decoder. 1997.

Computer addiction research paper Essay

Crane is a school teacher and singing master of the neighborhood In the village In which he lives. 3. What accounts for his popularity among the housewives and the village girls? + The schoolmaster was considered igh in authority next to the parson; so, females were naturally drawn to his understanding of modern ways. He also taught voice lessons to many of the women in the area, but he was mostly desired because he played into the women’s fascination with superstition and the supernatural. HIS hobbles also helped him to be accepted by the women. His book, written by Cotton Mathers, was a resource he could draw upon to entertain the womenfolk with new and interesting spooky stories. And since Irving describes the hollow as a place enchanted with superstition, Crane it right in. 4. What are his favorite pastimes? -9 Ichabod Crane likes riding horses and reading. 5. Who is being described in the legend? How did the author describe him? List down the descriptive words and phrases that describe him. -+ Ichabod Crane, the character Is described the way the author chose In order to carry the story line forward to the desired conclusion. -+ â€Å"He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvelous, and his powers of igesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. † -9†³ He was tall, but exceedingly lanky, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large, green, glassy eyes, and a long snipe nose, so that looked like a weathercock perched upon his spindle neck to tell which way the wind blew. † ton

The Art Cinema As A Mode Of Film Essay - 948 Words

Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film Bordwell, D. (1979). The art cinema as a mode of film practice. Film Criticism, 4(1), 56-64. †¨ David Bordwell wrote his article ‘The Art Cinema as a Mode of Film’ in an effort to convey the main idea that â€Å"art cinema† can be considered as a distinct mode of film practice, through its definite historical existence alongside other cinematic modes, set of formal conventions, and implicit viewing procedures. Rather than searching for the source of the art, or what drives the art in film, Bordwell compares art cinema to the classical narrative cinema, and highlights the differences in narrative structure. Bordwell makes the assumption that it defined itself against the classical narrative mode; especially with the way it deals with space, time, and the cause and effect link of events. To support this idea, Bordwell illustrates how art cinema motivates its narratives differently, through two principles: realism and authorial expressivity. Firstly he proposes the notion that art films reflect realism in their characters, space, and time. Psychologically complex characters are present in real worlds dealing with true-to-life situations. Art cinema is concerned with the characters ‘reaction’ to these situations, rather than their ‘action’. Thus it bares an element of psychological subjectivity as the characters survey the world they are in, which aids the realisation of the distress ofShow MoreRelatedArt Cinema As Institution, Screen, 22 ( 1981 )1597 Words   |  7 Pages(1981). Art cinema as institution, Screen, 22(1), 11-39. In Art Cinema as Institution, Steve Neale outlines the role of Art Cinema in the attempts made by various European countries both as a means to challenge ‘American domination of their indigenous markets in film† (p.11), and to further develop a film culture of their own. Neale theorises that a general pattern of the history of Art Cinema within the French, German and Italian film industries, follows an early period in which the cinema appealedRead MoreSelf Reflexive1132 Words   |  5 Pages– Summary Chapter 8 – Modes of Screen Reality Pages 289-325 Key Outcomes †¢ Explain the basic modes of screen reality. †¢ Describe the principles of narrative, character behavior, and audiovisual design that operate in each mode of screen reality. †¢ Differentiate ordinary fictional realism, historical realism, documentary realism, and fictional documentary realism. †¢ Distinguish two modes of cinematic self-reflexivity. †¢ Explain why multiple modes of screen reality areRead MoreExperimental Cinem The Experimental Film Movement1453 Words   |  6 Pagesbeginning of film filmmakers were using the platform to tell people stories, so that people could go be entertained and lose themselves in the experience of seeing the film. Though this form of filmmaking was entertaining for most people, some filmmakers wanted to break this tradition and expand filmmaking into a completely different way. Instead of making the same old narrative films, like classical Hollywood, they want to make more abstract and complex films, they wanted to make films as more ofRead MoreEssay about Film Study Prince768 Words   |  4 Pagescore questions that frame the essential attributes of cinema and why are they important to consider in film studies? (6 points) 1) How do movies express meaning? It is important to consider in film studies because the basic tools of filmmaking help organize design of a film, and the filmmakers are able to express a range of meanings. 2) How do viewers understand film? It is important to consider in film studies because viewers understand film by applying different aspects of their real-life visualRead MoreDogma Rules Add â€Å"Character† to Italian for Beginners955 Words   |  4 Pagesâ€Å"Character† to Italian for Beginners Art films are different from mainstream films in many aspects including acting, plot, and setting. Art filmmakers use different techniques to distinguish their films from mainstream films. The movement away from mainstream filmmaking occurred through the creation of the Dogma Manifesto. Dogma 95 was a set of rules for film production that forced filmmakers to innovate through new methods of filmmaking. One such film created according to the rules of DogmaRead MoreAnalyzing Michelangelo Antonionis Blow Up Essay1705 Words   |  7 PagesFilm 1B03 - T08 Michelangelo Antonioni was an acclaimed Italian film director, revered for his contributions to the discipline of cinema. In many ways, Michelangelo Antonioni has revolutionized the realm of art cinema and is responsible for the foundations that the style now rests upon. One of his most influential films was titled Blow Up. In his first English language film, Antonioni examines themes of perception and reality, especially in regard to society and the individual. This film hasRead MoreEssay on The Study of National Cinema1314 Words   |  6 PagesThe study of national cinema and the way in which its defined has been a topic of discussion that many scholars have debated. Stephen Crofts ‘Concepts of National Cinema,’ Susan Hayward’s ‘Reframing National Cinema’ and Andrew Higson’s ‘Limiting the imagination of National Cinema’ attempt to define the tricky boundaries of what the term national cinema means and the impacts it has on t he way in which audiences perceive these types of films. One of the key areas of debate in the discussion is determiningRead MoreWhile Modern Film Productions Have Lost The Ambitious Classicism1842 Words   |  8 PagesWhile modern film productions have lost the ambitious classicism of early cinema, the idea to view cinematography itself as a self-governing construction of thinking has been carved into the history of continental philosophy. Due to the variety of material and conjecture, film manipulates the four-dimensional reality in which we live our everyday lives in. From A quoi pensent les films?, Jacques Aumont, a French academic writer on film theory, states that â€Å"film has the power of thinking† in orderRead MoreWhy do Hindi films have a ‘Masala’ format? Essay1364 Words   |  6 Pages‘Bombay filmmakers repeatedly stress that they are aiming to make films which differ in both format and content from western films, that there is a definite skill to making films for the Indian audience, that this audie nce has specific needs and expectations, and that to compare Hindi films to those of the West, or the Indian ‘art’ cinema is irrelevant’ (Thomas, 1985). In comparison to much of Western Cinema, Hindi films have much more hyperbolic narratives, hyper-stylised and exaggerated actingRead MoreEvolution of Indian Cinema3329 Words   |  14 PagesEvolution Indian Cinema A scene from  Raja Harishchandra  (1913) – The first full-length motion picture. And Devika Rani  and  Ashok Kumar  inAchhut Kanya  (1936). By GAURAV YADAV CESP (MA), 4th Semester Introduction India has one of the oldest and largest film industries in the world. Indian Cinema  is one of most vibrant cultural  products  and a major  industry  which is as old as  Hollywood  . It produces  around a quarter of the worlds  films; its 13,000 cinema halls have a daily audience of around